![]() ![]() In the closing pages of A Portrait, the hero, Stephen Dedalus, prepares to leave Ireland, disillusioned with the cultural and political life of his country. One of the aims of the present article is to illuminate the function of Christopher Marlowe as a role-model and precursor-to-date unrecognized in Joyce criticism-of the idealized subversive artist, a writer whose work and cultural image contributed to the Stephen Dedalus-James Joyce persona as constructed in A Portrait of the Artist as a Young Man and its vision of the artist as an essentially independent social agent. ![]() Just as Dante found a guide in Virgil, we can, in turn, hold onto the hem of Joyce's coat, as the artist leads us through the circles of secular heaven and hell. This basic structure makes A Portrait, though hardly a simplistic novel, one of Joyce's most accessible works, one that is marked by the immediacy of its concerns. As an account of the development of a young man's mind, A Portrait is a bildungsroman, a form that conventionally concludes at a momentous point in the hero's life, which signals the culmination of a process of self-discovery, or the moment when a life-defining decision is made. Key words: James Joyce, Christopher Marlowe, Irishness, individualism, radicalism / subversion, artistic independence, exile, Faust(us), Daedalus and Icarus.Ĭompleted in 1914, James Joyce's A Portrait of the Artist as a Young Man presents a perspective of the development of Stephen Dedalus-a character strongly based on James Joyce himself-from childhood until the time when he decides to leave Ireland as a way to maintain independence and distance as a writer. The present article, in fact, aims to provide insight into the function of Christopher Marlowe as a role-model and precursor-to-date unrecognized in Joyce criticism-of the idealized subversive artist, a writer whose work and cultural image contributed to the Stephen Dedalus-James Joyce persona as constructed in A Portrait. In this respect, the novel's oft-discussed patterns of imagery, and its complex, sometimes ambiguous, use of irony, for instance, continue to invite new interpretations. ![]() However, beyond this basic narrative dimension, A Portrait is hardly a simplistic novel. Presented as a means of maintaining independence and distance as a writer, this move marks the culmination of a process of self-discovery. Abstract: Joyce's A Portrait of the Artist as a Young Man (1914) concludes at the point when Stephen Dedalus-a character substantially modelled on Joyce himself-is about to leave the Ireland of his childhood and young-adult years. ![]()
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